The installation Beirut Kaputt? is a reflection on the representation of violence. It consists of two juxtaposed works: a video montage of social media clips of the Beirut Port explosion and the painting All That Remains by Lebanese artist Ayman Baalbaki.

The project allows us to reflect on the constant recycling of traumatic news, imagery, headlines and captions and how this can add to, rather than appease, our traumatic experiences. How, rather than engaging in nuanced reflection, fast media often exploits traumatic events by triggering a most basic human emotion: fear.