“iCloud arises from fragments of my memories. My clouds are vessels, bodies that hold what memory cannot preserve. They are not metaphors, but elements the viewer can touch: imperfect, alive, carrying both presence and absence.

My images disrupt expectations by removing or adding components from their usual context, presenting them without the face to which they belong. The cactus, for instance, appears as a paradox — resilient yet vulnerable, an organic archive of endurance, its thorns both protecting and wounding, much like memory itself.

My personal firmament is a constellation of a thousand imaginary clouds, each taking its own configuration and holding its own stories, shaped by intuition and spontaneity. They are recontextualized, multiplied, sometimes assaulted. Replacing the iris of the eye of birds, I open the space for us to question what we see and what we think we know. Do the birds echo the flight of memory, a reflection of what the eye is seeing? Are they, in fact, an opening into another reality? Are we looking at an inner vision, or something else entirely?

iCloud invites viewers to experience memory differently, revealing layers of what slips away and what quietly remains, through tactile, visceral forms.”